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Re: Diffusion: Collaborative Practice in Contemporary Art

Grant Kester

Dec 07, 2003 22:08 PST

Yes, that pesky thing called "history" is often complicated. Perhaps,
rather than seeing this complexity as something to avoid (for fear of
being "bogged down"), it might make sense to exercise some restraint in
making blanket statements like "Stalinism = Avant-Garde Art". I'm still
not clear what sort of hermeneutic work this claim was meant to
accomplish (and we can now add to the lack of clarity by collapsing
Stalinism, Trotskyism and Maoism into some sort of paranoid fantasy out
of an Ayn Rand novel). One might just as easily say "Art in Galleries =
Capitalist propaganda". Of course this is precisely the sort of gross
generalization that Messrs. Wark (and I'm assuming Green) would find
repellant. Are we to understand, then, that the entire tradition of art
practice associated with Dadism, Constructivism, Surrealism,
Situationism and Conceptualism is irrelvant to any further discussion
of collaboration because each of these movements were populated by
communist dupes? I'm all for moving on with the discussion but I'd
feel better about doing so if we could drop the gratuitous and
historically inept bashing of the "political art" shibboleth.

Cordially,
Grant Kester


On Sunday, December 7, 2003, at 09:42 PM, McKenzie Wark wrote:

 
Berlin Dada, Surrealism, Situationists, Art+Language: all had
problematic
relations with either (a) actual Communist parties, or (b) mimicking
the
organizational style of same or (c) Trotskyist or Maoist splinter
groups.

And let's not get started on figures like Osip Brik, who went from
being
a cheerleader for the Russian avant gardes to a member of the Cheka...

Its a long and complicated history -- let's not get bogged down it it,
shall we? Can we agree that the historic avant gardes made political
mistakes? They 'collaborated', and that is always problematic, in some
way.

Would it be possible to think of forms of cooperative action outside of
*either* organised political formations *or* academic/art institutions?
That strikes me as a more interesting question, and maybe where Brian
is really headed....

k


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